EXT. CHURCH - NOON

Out of a pure black, strings and lines emerge into view in dynamic waves.

They come in different colours and construct ADAM, sat up against the church wall.

He is facing camera.

As he grows to full-construction, he opens his eyes.

EVE is crouched down in front of him, supporting him against the wall.

Quickly, the scene turns to waving strings of colour again.

The image is deconstructed and then reconstructed.

EVE is now assisting ADAM in walking along, carrying him across her shoulders.

He is turned upwards, looking at the church.

EVE smiles.

They slowly walk down the path as they quickly are deconstructed into strings once more.

EXT. THE PARK - DAY

The strings reconstruct a new scene.

ADAM and EVE are lay on the grass, looking up at the sky.

EVE turns to ADAM, smiling gleefully.

ADAM looks to EVE.

Again, the scene is destroyed and turns to waves of string.

EXT. TOWARD THE CHURCH GROUNDS - NOON

The strings have less to construct this time. They spiral into points of light, the stars.

ADAM is made amongst the stars and flying upwards through the space.

The black sky finds colour again as ADAM finds himself in contact with a nebula.

It is a tremendous array of colours and seems to stare at ADAM, the shape of an eye.

He is still for a second here.

Suddenly, ADAM is pulled quickly through the sky and into the nebula.

The coloured nebula, and ADAM himself, are once again turned to vibrating strings in the rush of motion.

EXT. GRASSY HILL - NIGHT

Stars are once again made in the night sky, as our view tilts down to where the landscape is being quickly constructed from the strings.

ADAM is lay on the grass, speaking on the phone.

He lowers the phone from his ear and drops it onto the ground beside him.

Resting his head against his hand and closing his eyes, he speaks to himself slightly singing the words in tune.

Again, ADAM is destroyed and replaced by the wobbling strings.

They wave and dance across the screen, interacting in spirals of motion.

EXT. THE ROOFTOP - NOON

ADAM and EVE are recreated facing each other on the rooftop.

He collapses to his knees, clutching at his head.

EVE kneels down in front of ADAM as the scene is deconstructed once more.

INT. LECTURE THEATRE - DAY

The scene is built out of the vibrating strings, it is hazy - distorted. We see only the tutor.

Quickly the hazy image explodes back into the strings.

INT. EVE'S PLACE - LATE AFTERNOON

The image reassembles.

ADAM is sat on EVE's sofa with ERWIN, the cat, sat on his lap.

EVE is sat next to him on the sofa, leaning in closely.

ADAM is petting ERWIN in his lap.

The scene is deconstructed quickly again.

INT. EVE'S BEDROOM - LATE AFTERNOON

The strings reconstruct a scene upstairs.

It is distorted and shaking somewhat chaotically.

One instance of EVE has an instance of ADAM pinned to the bed; she has mounted him.

A second instance of each of them enters through the door.

This EVE drops ADAM's shirt to the floor as he fumbles with the buttons on her shirt.

Suddenly, she twists him around and pushes him onto the bed.

There is a more violent shaking of the screen's image, as ADAM almost aligns with his other occurrence.

EVE then mounts ADAM and leans down to kiss him.

As she does so, both ADAM and EVE are merged with the other instances of themselves and the scene explodes back into chaotically vibrating strings.

EXT. THE ROOFTOP - NOON

Reconstructed from strings once more, ADAM is faced away from EVE.

She places a hand on his shoulder.

The scene dissolves into strings again.

INT. LECTURE THEATRE - DAY

Out from the chaos of lines and strings, the scene is formed.

ADAM is in a seat amongst other students in the theatre.

The TUTOR is stood at the front of the room.

Behind the TUTOR, the white board displays a pair of images; one a wave, the other a circle.

The scene slowly collapses into strings toward the end of the TUTOR's speaking.

Once he is done, the strings disassemble the scene completely.

EXT. THE ROOFTOP - NOON

The scene assembles.

ADAM and EVE are sat at the edge of the building.

EVE takes ADAM's hand.

The scene returns to the wobbling strings from whence it came.

INT. EVE'S PLACE - LATE AFTERNOON

The scene assembles.

ADAM is sat on EVE's sofa stroking a cat, ERWIN, in his lap.

EVE is in the kitchen area, pouring wine for them both.

ADAM looks toward the kitchen briefly and then back at ERWIN.

The scene explodes into strings quickly.

INT. LECTURE THEATRE - DAY

The scene quickly assemble but remains fuzzy and chaotic.

The TUTOR is our focus, particularly his mouth.

The scene explodes into strings once more.

EXT. TOWN CENTRE - NOON

The scene quickly assembles, but again remains fuzzy.

The PREACHER's lips are our focus.

The scene explodes into strings again, their motions growing into ever more violent wobbles and waves.

EXT. MAIN STREET - NOON

The scene is once more chaotic and unstable once built out of the violent strings.

ADAM is looking onward to a pair of young pedestrians passing by.

The scene explodes into strings again, more violently.

EXT. TOWN CENTRE - NOON

It is reassembled quickly. The backdrop remains chaotic and hazy but the PREACHER appears almost perfectly clear.

He is looking straight down the camera from his pedestal.

Strings fly out wildly and dismantle the scene.

Their earlier dances now seem like fights in the black.

INT. LECTURE THEATRE - DAY

The strings reassemble another wildly disturbed image, of the TUTOR at the front of his class.

The scene dismantles in a most violent explosion of strings.

EXT. THE ROOFTOP - NOON

A scene reconstructs; this one appears to hold its solidity.

ADAM and EVE are facing each other on the rooftop.

He collapses to his knees, clutching at his head.

EVE kneels down in front of ADAM.

She takes him by the shoulders, and places her head to his.

ADAM is emotional, he appears broken.

He stands up slowly.

EVE follows.

The scene shakes, it turns fuzzy but the strings barely tear it apart - it merely shifts...

EXT. THE ROOFTOP - NOON

ADAM and EVE are sat at the edge of the building.

She has his hand in her's.

ADAM takes a pouch of tobacco and some papers from his pocket, letting go of EVE's hand once more.

He begins to roll a cigarette.

The scene evaporates back into a collection of strings; their violence has subsided but they no longer seem to dance - they seem uninterested in one another, separated.

INT. JONNY'S ROOM - DAY

The strings bleed together to create the scene in Jonny's room.

JONNY is sat on his bed.

ADAM is sat on the sofa across from him.

ADAM pays close attention.

The scene collapses into strings.

EXT. BACK STREET - NOON

The scene assembles out of the waving but uninterested strings.

ADAM is crouched down next to a homeless man, FIGMENT.

ADAM looks at the homeless man and is perplexed by the fact that his clothes appear to be brand new, and clean.

The clothes are worn rather scruffily by figment, but otherwise he appears to be wearing a pristine suit.

FIGMENT reaches forward and gives ADAM's cranium two knocks.

The scene explodes into the strings, but after explosion they calm and gently construct the next...

EXT. THE ROOFTOP - NOON

ADAM is turned away from EVE.

Her hand rests on his shoulder.

He turns back to her.

He looks out across the world.

As a sudden burst of pain runs through his head, he clutches it with agony.

Then he turns to look back at EVE.

The scene gently melts into strings, their calm motions now taking interest in one another again but ever so gently interacting with one another.

INT. JONNY'S ROOM - DAY

The scene assembles gently to reveal JONNY looking through the camera at us.

The scene disassembles into the spiralling, enigmatic coloured strings.

They spiral about one another for a few brief moments as they fade into the black.

And then they are gone.